
'A Doll''s House (1879), is a masterpiece of theatrical craft which, for the first time portrayed the tragic hypocrisy of Victorian middle class marriage on stage. The play ushered in a new social era and exploded like a bomb into contemporary life. Meyer''s translations of Ibsen are a major fact in one''s general sense of post-war drama. Their vital pace, their unforced insistence on the poetic centre of Ibsen''s genius, have beaten academic versions from the field (George Steiner)'
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