When explorers and artists travelled to new lands in the early modern period, the exotic plants and animals that they encountered often seemed strange and outlandish. "Before Disenchantment" examines how these artists grappled with the problems of representing unfamiliar flora and fauna, in particular anomalous cases that seemed to defy straightforward classification as either plant or animal. One solution was to describe and portray these alien animals and plants as strange hybrids of both, and the images they made took many forms: from the Lamb of Tartary, which grew inside a large gourd-like fruit; to 'barnacle geese', which began life as leaves on a tree growing above water, and turned into small birds as soon as they fell in; to 'camel-sheep'; to races of monopods and red-haired human dwarves.Peter Mason also looks at the the figures who made these curious images, who ranged widely in expertise: from the amateur sketches of the German adventurer Caspar Schmalkalden to the consummate artistry of Peter Paul Rubens; and from the painstaking antiquarian interests of Nicolas Fabri de Peiresc or Cassiano dal Pozzo to the homely observations of the natural world by the Dutch beachcomber Adriaen Coenen.
This emphasis on vernacular knowledge sets the discussion of Before Disenchantment apart from previous works on the subject; moreover, in taking the world-view of the early modern period seriously, the book breaks with orthodox histories of scientific illustration that imagine a linear evolution towards an ever more enlightened science. "Before Disenchantment" does not just present the ideas and images of a particular age; the book champions a sense of wonder that we can still feel today.