Egg Tempera Painting - Tempera, Underpainting, Oil, Emulsion, Painting - A Manual of Technique
by Vaclav Vytlacil (9781406765069)

Egg Tempera Painting - Tempera, Underpainting, Oil, Emulsion, Painting - A Manual of Technique
 
Vaclav Vytlacil
Release Date: 01 March 2007
Format: Paperback
Pages: 84
Category: Art Forms
ISBN: 9781406765069
ISBN-10: 1406765066



Text extracted from opening pages of book: EGG TEMPE R & AB.&; IW ]> N G TEMPERA UNDERPA: I: NTING OIL EMULSION PAINTING A Manual of Technique BY VACLAV VYTLACIL and RUPERT DAVIDSON TURNBULL NEW YORK OXFORD UNIVERSITY PRESS 1935 COPYRIGHT, 1935, BY OXFORD UNIVERSITY PRESS, NEW YORK, INC. eAll rights reserved.' The reprinting of this boo)( in whole or part without the Publishers permission is forbidden FIRST EDITION PRINTED IN THE UNITED STATES OF AMERICA CONTENTS PAGE INTRODUCTION i NOTE ON OIL PAINTING AND TEMPERA PAINTING Summary of essential differences between the two media 4 OIL PAINTING General discussion Doerner's the ory of the Mixed-Technique Maroger's theory of Oil-Emulsion Painting Theory of Fat and Lean 7 NOTES ON UNDERPAINTING Difficulties of the be ginner Practical suggestions Artistic considera tions 13 TEMPERA PAINTING Description and classification for the sake of clarity 17 EMULSIONS FOR TEMPERA PAINTING Egg and Water Yolk of Egg and Water Lean Tempera Me dium Fat Tempera Pastose Tempera Formulae and descriptions - Suggestions and cautions . 22 RUBBING OR GRINDING OF TEMPERA COLOURS Sug gestions based on practical experience Three Good Tempera Whites 28 PUTRIDO Preparation Characteristics Possibili ties in combination with other forms of tempera 32 GROUNDS FOR TEMPERA Chalk Ground Tempera Ground Tempera Panel Coated Paper and Cardboard Formulae and detailed instructions for making 36 OIL GROUNDS Full-Oil Ground Non-Absorbent Ground Formulae and detailed instructions for making 44 Iv SGS - TEMPERA PAINTING PAGE NOTES t> w TERIALS - Canvas - Stretching - Stretch ers - Tacks-Brushes - Gilder J s Whiting ... 40 GLUES - Fish Glue - Rabbit Skin Glue ( Colle de Lapin)-Tests- Preparation 51 LINSEED OIL - General notes Sun-Bleached - Sun-Thickened 53 DAMAR VARNISH - Notes on preparation . ... 56 LEAD WHITE - Cautions in handling 58 GOUACHE Preparation - Possible use with tempera emulsions 59 MAROGER OIL EMULSION Description Maroger's theory of Oil Emulsion Painting Chemical struc ture 61 SUMMARY OF PROCEDURES Brief notes on Seven Dif ferent Methods of Picture-Building ( ordinary di rect oil painting apart) summarizing the material contained above 67 INDEX 75 INTRODUCTION THIS book has two functions. It is partly a text-book, or manual of technique, and partly an essay. As a text-book it contains full directions for painting in Egg Tempera and for the making of the necessary grounds. As an essay it outlines a new method of painting in oil or oil emulsion, with suggestions both theoretical and practical. There is a logical connec tion between these two functions or we should not have included them in the same book. As a text-book on tempera painting, we have given directions, as precise and clear as possible, for the mak ing and use of those forms of egg tempera which we have found in the course of several years of experi menting to be the important fundamental forms. There are many variations of these forms which any one, with the experience these fundamental forms provide, can work out to suit his own taste. As the use of the right ground is of the utmost importance in both tempera and oil painting, we include full direc tions for the making and use of the most important tempera and oil grounds. The student who wishes a clear and concise manual of technique on tempera painting alone should find here all the information necessary, and in as practical a formas possible. It seems to us, however, that there is another important aspect of tempera; that is, its suitability as an underpainting for oil or oil emulsion. We have therefore given precise and practical direc tions on the preparation and use of tempera as an underpainting. If it seems to the reader that the language used is sometimes too elementary, it has been used deliber 2 EGG TEMPERA PAINTING ately, as it has always seemed to us that most manuals of technique are too vague and general in their direc tions. There is also a certain amount of repetition bot

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