
Marina Belozerskaya reestablishes the importance of the Burgundian court as an early modern European center of art, production and patronage. She analyzes contemporary documents and patterns of patronage, demonstrating that Renaissance tastes were formed through the fusion of international currents and art works in a variety of media. Among the most prestigious were those emanating out of the Burgundian court. This interdisciplinary study of the Burgundian arts provides a new paradigm for further inquiry into the pluralism and cosmopolitanism of the Renaissance.
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