The Art of the Saracens in Egypt
by Stanley Lane-Poole (9781154856262)

The Art of the Saracens in Egypt
 
Stanley Lane-Poole
Format: Paperback / softback
Pages: 78
Category: History
Publisher: Rarebooksclub.com
ISBN: 9781154856262
ISBN-10: 1154856267



This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1886 edition. Excerpt: ...the squeezes he then took he was able to restore the designs to the almost too perfect outlines presented in his plates (nos. 83 and 84), from which the engravings, figs. 46-8, are taken. There are eight panels altogether, of pine wood, and each is carved with representations of the sports, amusements, and occupations of the Arab, or rather of the Persian, for there can he no doubt that the source of these admirable designs was the art of Mesopotamia, where the traditions of ancient Persian and Assyrian art still survived in the metal-work of the artists of Mosil and other towns. In the centre of the first panel we see on a ground of rather crude scroll-work a centaur, winged like an Assyrian beast, and wearing a crown exactly resembling the tiara that is found on similar centaur huntsmen on the figured metal-work of Mosil. He has stretched a bow and is discharging an arrow at a unicorn behind him; a corresponding unicorn paws the ground on the opposite side. The scene is just what we find through the whole range of Mesopotamian design, from the oldest Assyrian bas-reliefs downwards. In the second panel a peacock stands in the middle, in a geometrical figure formed of a lozenge and quatrefoil combined. Large leaf scrolls winding round form a sort of division in the band of figures, and the sections thus marked off are filled with (on the left) two running servants, holding ewers and glasses, and (on the right) a player on the square lute and a seated figure with drinking-vessels. Simple scroll borders enclose the central band above and below. In the vertical panel, which is divided into various compartments by the curling lines of the scroll-work which forms the background, is a kneeling figure in the act of rising, with a slain deer...

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