Suzanne Taylor is part of an international community of visionary artists, scientists, philosophers, geometers, educators, writers and farmers who marvel at crop circles. Evidence is presented that defies the idea that the circles all are made by people, and the possible motives of the hoaxers is a subject for speculation.
Croppies express their opinions and their frustrations about how the hoaxing of some circles, and the limitations on our thinking imposed by a worldview that's grounded in scientific materialism, deflect attention from the phenomenon and hamper serious investigation of it. The most startling revelations we get from the circles come from their shapes. Mathematical information encoded in the formations is seen to deliver a virtual curriculum in number and geometry, and leads to questions about who or what is delivering the circles and why they are being created.
Croppies speculate about what the effect would be if it was ascertained that the circles aren't being made by us.
We see that 'contact,' established via the circles, could create a new beginning for humanity - the start of an era when awe and wonder would supplant the dangerous oppositional behaviours that are so prevalent today.
Awards: Best Feature Documentary from the UFO Congress Film Festival, Excellence in Paranormal Filmmaking from the Paranormal Film Festival
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Reviews of What on Earth?:
'Brilliant, groundbreaking... incredibly beautiful and powerful' Whitley Strieber Bestselling author of 'Communion'
'By far the most comprehensive, well-balanced, and heart-centered overview of crop circles I have seen' Alan Cohen Bestselling author of 'The Dragon Doesn't Live Here Anymore'
'A must-have documentary' Kinetics Magazine 'Absolutely stunning' Bob Hieronimus 21st Century Radio/Future Talk
'Spellbinding... utterly entertaining' Jay Levin, Founder, Los Angeles Weekly
'A brilliant job of bringing all the mysteries together and thoroughly debunking the debunkers' Graham Hancock Bestselling author of 'Supernatural' and 'Fingerprints of the Gods'
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